SKU: 66939952402

"Locke Ober Boston Restaurant Coat Check #32 Tag"

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Description

"Locke Ober Boston Restaurant Coat Check #32 Tag"Octagonal Sz: 1 3 4" Locke Ober (c. 18752012) was the fourth oldest restaurant in Boston, Massachusetts, after the Union Oyster House (1826), Durgin Park (1827), and the Jacob Wirth Restaurant (1868). Locke Ober featured French cuisine and seafood. History The Greek Revival building was constructed in 1832. By 1862, the Boston City Directory listed Adrien Destre as operating a restaurant at 2 Winter Place. By 1868, F. A. Blanc was listed as running

Octagonal Sz: 1 3/4"

Locke-Ober (c. 1875–2012) was the fourth-oldest restaurant in Boston, Massachusetts, after the Union Oyster House (1826), Durgin-Park (1827), and the Jacob Wirth Restaurant (1868). Locke-Ober featured French cuisine and seafood.

History

The Greek Revival building was constructed in 1832. By 1862, the Boston City Directory listed Adrien Destre as operating a restaurant at 2 Winter Place. By 1868, F.A. Blanc was listed as running the restaurant. By 1879, Boston city records listed Luis Ober as the proprietor of a restaurant at 2 Winter Place of "over twenty years' standing". From the start, the restaurant specialized in French food and was central to the financial, political, and intellectual history of Boston.

Advertisement for "the French Hotel and Restaurant," 2 Winter Place, Louis P. Ober, proprietor, 1871

Louis Ober was born in 1837 in the French department of Alsace. At age fourteen Ober moved to New York, working as a barber, book seller and importing and exporting goods between the United States and France. Ober lived and worked in New Jersey, Cincinnati, and Philadelphia, before settling in Boston. Ober was employed at the restaurant then owned and operated by Blanc. While in Blanc's employ, Ober became familiar with French food, fine wine and furnishings. By 1875, Ober had acquired ownership and applied to the city for expansion of the restaurant to 3-4 Winter Place. Financing was provided by Eben Jordan, a co-founder of the Jordan Marsh Company. The restaurant reopened as Ober's Restaurant Parisien.

Over the next 20 years the restaurant was expanded and became furnished with increasingly luxurious imported materials typical of the Gilded Age, including Honduran mahogany, French furniture, Italian and French sculpture and paintings, English silver and Bohemian crystal lighting. Until 1970 the restaurant was open to males only.

By the late twentieth century, Locke-Ober - though still possessing most of its original grand trappings - had lost much of its popularity. Boston restaurateur Lydia Shire, with investor Paul Licari, leased the space in 2001 and began a painstaking restoration of the main and private dining rooms on the third floor, adding two more contemporary rooms. Jacky Robert was executive chef until 2003. Nonetheless, the restaurant closed in 2012, with reports that the owners planned to sell the building.

The building was added to the National Register of Historic Places in 1986. The location is now occupied by Yvonne's.

The restaurant was the setting of the opening scene in Robert B. Parker's 1980 Spenser novel Looking for Rachel Wallace. It was also the setting of the denouement of Death in a Tenured Position (also published as A Death in the Faculty) by Amanda Cross published in 1981. The detective, Kate Fansler, is taken there by the lawyer, John Cunningham, at which she presents to him her solution to the mystery. Cunningham claims Fansler only likes the restaurant because it used not to admit women; she denies this, saying she is attracted by the creamed spinach and the waiters who tended to be 'deaf and placating'. It was also the restaurant that Professor Lambeau took Robin Williams' character, Sean, to in an attempt to convince him to work with the main protagonist in Good Will Hunting.

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SKU: 66939952402

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I wasn’t sure if this would work as well as the regular iPencil, because I had read this one doesn’t have features the more expensive one has. And I have to say, whatever those extra features are I’m not missing them! This works great, it’s very accurate, amazing quality. Considering how much I’m using it in Procreate, I would say it’s more than paid for itself! As expensive as it seems, it’s been a great value for the money. It’s easy to use and the design is simple. You just have to remember to occasionally plug it in to charge it- the end slides open, revealing a type-C charger port. But the battery life on it lasts a long time. I’ve used it all day before without it dying on me! That reminds me, I should probably go plug it in now…
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Gordon Marc Cooper
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Not perfect but a good pencil for a good price.
Not as user friendly as the original pencil and battery doesn’t seem to hold a charge very long. After about 4 hours of being charged it was down to 46%. That was intermittent use and non use, with about 3 hours actual use. To charge the original pencil I pulled off the end exposing the lightening connector and plugged it into the receptacle on my iPad. This requires a USB-C cable connection from either the charger or the iPad. Admittedly, it’s not that big a deal, but it feels like a step backwards from the original. The battery longevity is a little more irksome. The pencil is very easy to use, and I’m actually amazed at how the iPad is able to generate text when I write with it, even with my sometimes barely legible script. Much improved over the original. I can live with the minor irritations because it’s a good value for the price.
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Rish
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