SKU: 67908526420

The Rene Fribourg Collection Volumes I-VII Sotheby & Co 1963

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The Rene Fribourg Collection Volumes I-VII Sotheby & Co 1963Vol I European Porcelain [79] pp. 67 lots Vol II Paintings [80] pp. lots 70 133 Vol III Furniture and Works of Art: Part I [157] pp. lots 140 224 Vol IV Gold Snuff Boxes [71] pp. lots 225 333 Vol V French Faience and European Porcelain: Part 2 [121] pp. lots 340 496 Vol VI Drawings [113] pp. lots 500 614 Vol VII Furniture and Works of Art: Part 2 [228] pp. lots 620 817 Sotheby & Co 1963 10 3 4" x 8 1 4" VG VG Scroll Down for (16) Additional Scans:

Vol I

European Porcelain

[79] pp./ 67 lots

Vol II

Paintings

[80] pp./ lots 70-133

Vol III

Furniture and Works of Art: Part I

[157] pp./ lots 140-224

Vol IV

Gold Snuff Boxes

[71] pp./ lots 225-333

Vol V

French Faience and European Porcelain: Part 2

[121] pp./ lots 340-496

Vol VI

Drawings

[113] pp./ lots 500-614

Vol VII

Furniture and Works of Art: Part 2

[228] pp./ lots 620-817

Sotheby & Co

1963

10 3/4" x 8 1/4"

VG/ VG

Scroll Down for (16) Additional Scans:

Dealers and private collectors paid a record sum of $506,660 for porcelain at the first of the long-awaited Rene Fribourg auctions.

The new total, which more than doubled the $240,800 paid in 1961 at a one-day porcelain sale, was set at Sotheby's auction house in just over an hour.

Today's sale represented only half the collection of rare porcelains acquired by Mr. Fribourg, a New Yorker who died last February leaving an estimated $3,000,000 worth of 18th-century French furniture and art.

The collection, which the Belgian-born grain merchant packed into his East 84th Street mansion, was so large and so valuable that Sotheby's decided to dispose of it at seven auctions. The first three are being held this week and the remainder, including the rest of the porcelain, will take place in October.

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SKU: 67908526420

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compact surrounds that blend well with the right setup
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I picked up the Klipsch R‑40M as part of a full 5.1 system built around the R‑50M fronts and the R‑50C center. My original plan was to use another pair of R‑50M speakers in the back, but they simply didn’t fit in the rear cabinet space I have. The R‑40M ended up being the only model that fit comfortably, so they became my surround channels. In terms of build quality, they feel solid and consistent with the rest of the Reference Next‑Gen line. The copper woofers and updated horn design give them the same visual identity as the larger models, which helps the whole system look cohesive. They’re compact enough to place in tighter spaces without compromising too much on performance. Sonically, the R‑40M does a respectable job as a surround speaker. Effects are clear, directional cues are easy to follow, and they integrate smoothly with the more powerful R‑50M fronts. That said, they are noticeably less powerful than the R‑50M, so you need to spend a little time balancing your levels. Once I bumped their channel trim a bit and adjusted the distance settings, the rear soundstage locked in nicely and felt much more even. They won’t deliver the same fullness or dynamic punch as the larger models, but for rear channels that’s usually not a deal breaker. What matters is clarity and consistency, and the R‑40M handles both well. Movies with active surround mixes feel immersive, and ambient effects wrap around the room without calling attention to the speakers themselves. If you’re building a system where space is limited in the back, the R‑40M is a practical and capable choice. Just be prepared to fine tune your calibration so they match the output of the bigger speakers up front. Once dialed in, they round out a 5.1 setup very effectively.
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