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Arthania: Selected Poems

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Arthania: Selected PoemsArthania is a personal prayer to God, which can be heard and read by people, and animals, and plants, and stars. New song rhythm forms and meanings are proposed in this book; the truth of author Ihor Pavlyuks life (as a citizen of Ukraine, who lived and worked in many countries of the world) is consonant with all the people of the planet who can take the subtle energy they need from this book if they adequately catch the wave of his soul through an

Arthania is a personal prayer to God, which can be heard and read by people, and animals, and plants, and stars. New song rhythm forms and meanings are proposed in this book; the truth of author Ihor Pavlyuk’s life (as a citizen of Ukraine, who lived and worked in many countries of the world) is consonant with all the people of the planet who can take the subtle energy they need from this book if they adequately catch the wave of his soul through an interpretation.

Within are themes of freedom, of the individual and society, the theme of love for nature, for the homeland, for one’s parents, other people, the theme of freedom, orphanhood (the author grew up an orphan), the struggle for independence—all expressed in this autobiographical book in a poetic style. His life credo is expressed in this book with these words: “I am ready to live for ages and I am ready to die at every moment.”

About the Author

Ihor Pavlyuk (sometimes spelled as Ihor Pawlyuk, Igor Pavlyk, Igor Pavluk; Ukrainian: І́гор Зино́війович Павлю́к) is a Ukrainian writer, translator, and research worker. He was born in the Volyn region on January 1, 1967. His mother died ten days after giving birth to him and he was raised at the home of his grandfather and grandmother on his mother’s side—migrants from the Helm region. He is a Winner of a 2013 English PEN Award and a Doctor of Sciences in Social Communication. Ihor is a member of the European Society of Authors. Books of poetry by Ihor Pavlyuk are published in the USA (2011, 2019), Russia (2012), Poland (2012), England (2013), and France (2015).

Now Ihor Pavlyuk is a Leading Researcher of Taras Shevchenko Institute of Literature of the National Academy of Sciences of Ukraine in Kyiv, Professor of Ukrainian media at Ivan Franko National University of Lviv. He has participated in various international literary festivals. Works of Ihor Pavlyuk have been translated into Belarusian, Bulgarian, Chinese, English, French, Japanese, Latvian, Polish, Russian, and other languages and published in such magazines as The Apple Valley Review (Volume 7, Number 2 (Fall 2012)), Muddy River Poetry Review, Asymptote, Gold Dust (Issue 23), The Adirondack Review, The Recusant, Metamorphoses, Eurasia Review, The World Poets Quarterly, and many others.

Reviews

"As I write, thirty-five babies of international parentage are being cared for by nannies in a hotel room in Kyiv. Swedish, Spanish, Chinese and British children born of surrogate Ukrainian mothers, they have been left in limbo by the pandemic, and must wait to be claimed by their biological parents until the country opens its borders again. The question of the parentage of poems is an open one – some poets feel they are simply channels for universal visions; some feel tenderly possessive toward their creative offspring; others acknowledge the reader’s place in co-creating the meaning of their work. However one looks at it, Ihor Pavlyuk’s poems are far more fortunate than these stranded babies and their parents; dancing freely across borders and oceans, each ‘a precise and windblown snowflake’, they offer the world subtle insights crystallised from a long, arduous and complex history. War-torn between East and West, Left and Right, modern Ukraine is also a country indebted to science, in love with its literature, and culturally steeped in diverse faiths, Christian, Islamic and pagan traditions. Ihor Pavlyuk, widely regarded as one of the leading Ukrainian poets of his generation, claims the right to tread all these boundaries as ‘a lone wolf’ slinking between ‘a manger of hay . . . [and] the tsar of flowers’ (‘The Right to Be a Lone Wolf’, Arthania). At this time of global isolation and uncertainty, his poetry reminds us that we all belong to the Earth - and to the cosmos." - Naomi Foyle, Author of Adamantine (Red Hen/Pighog Press) and The Gaia Chronicles (Jo Fletcher Books/Quercus USA)

"Ihor Pavlyuk has created a world that reawakens the dormant spirit of Ukraine’s past and is now expressed in these magnetic words. His voice is lyrical and epic: a meditative lyricism that moves peoples of different origins and identities to feel in harmony with land and trees, grass and water, epic in its profound vision of history and human beings. Translators and editors H. Kosiv, Yu. Lazirko and H. Sheers have reproduced the energy of Ukrainian rhyme and met the expectations of contemporary English-speaking readers who live under constant pressure but who want to enjoy peace and silence despite the aridity of our post-postmodern life. The voice of these poems has a quiet omnipotence and explains what it means to be human." - Dmytro Drozdovskyi, PhD, Shevchenko Institute of Literature of the National Academy of Sciences of Ukraine.

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Clay Werner
New York, US
★★★★★ 5
A Deep and Rich Resource on Christian Life
Format: Paperback
I've been waiting for this book for quite some time when I heard it would be coming out as part of the Dogmatics series. I really appreciate how he structures the book as God's Trinitarian actions towards us, the law-gospel distinction, and our response to Gods' love. Rich. A real treat to read, ponder, and reflect on.
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Reviewed in the United States on January 20, 2026
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Jimmy R. Reagan
Port Orchard, US
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One of the Best!
Format: Paperback
Kelly Kapic is one of the best theological writers of our day. He gears his writings a bit toward scholars, but don’t let that stop you. Accept the challenge of this book and you won’t be sorry. The title of the series (“New Studies in Dogmatics”) might scare off some readers, but don’t allow that to camouflage a great read. Yes, scholars will likely eat it up as a book that shows an artisan at work in their trade, but I say pastors and thoughtful Bible students ought to claim this one as their own. The only part that might appeal more to scholars than the rest of us is how he loves to delve into some historical personage or creed to illustrate his point. That is only an issue because sometimes that takes more explanation than the point at large he is making. I doubt he can help it. He seems like a walking encyclopedia; a passionate one to be sure, but it is amazing the scope at which he views his subject. His clearly stated thesis is that “Christian life is a response to the love of God”. Not only does that make sense, especially as he develops it, but it also gave him free reign to write across most of the systematic theology corpus as he desired. That could easily degenerate in a muddled mess that said little, but in his skilled hands it became something really special. In fact, the first chapter on why we need a theology of Christian life shows his clear vision of the argument of this book. For the record, I was bought in part way through that first chapter. Part Two with its three chapters fills in “the love of God” part of his thesis. He approaches it as love, grace and fellowship. Those three are often thrown about with a perverse shallowness. Not here. It seems that the depths of the heinousness of sin that he so astutely explains is the key to bringing those three out in all their resplendent glory. Here they sparkle. Next, he has a section that he called an “interlude” on the Law-Gospel distinction. His Reformed orientation comes out strongest here and this section is likely to be the most controversial. In fact, even some Reformed thinkers might quibble with him. From there, he develops the “response to” part of his thesis. This last section covers Messiah, ego and ecclesia to great effect. That our Messiah is the key is painted with the right significance. The chapter on ego was profoundly done. I thought he brought in current thinking on ego and held it up to Scripture and came up with clear thinking in the process. The two chapters on ecclesia surprised me. I was sure that he was going to champion a certain strain of liturgy, but actually he explained that every worship style is a liturgy. It was convincing to me. I nominate this book as the theological title of the year. It is that good. I received this book free from the publisher. I was not required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255.
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Kelly Kapic provides a biblical and theological vision of Christian life—what it means to love and be loved by God—by exploring and explaining the contours of the “life” that is given to the believer as united to Christ, and united to all believers who participate in that same union. The book covers multiple topics one might find in a systematic theology, but seamlessly weaves these through considerations of Christian ethics and corporate worship with clear and accessible prose. Kapic writes charitably as someone deeply immersed in the history of Christian theology and aware of the modern Christian church as expressed through multiple, and sometimes conflicting, traditions. Kapic remains attentive to the doubts of believers and profoundly sympathetic to the reality of those who have suffered abuse under the banner of grace. A remarkable achievement of beautiful orthodox theology. Highly recommended.
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Reviewed in the United States on May 18, 2025

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