The Cinematic Orchestra - Everyday
SKU: 44525491474

The Cinematic Orchestra - Everyday

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The Cinematic Orchestra - EverydayAvailable 14th April 2023. Triple limited edition translucent red 140g vinyl featuring four bonus tracks from the time, some not released on vinyl before. Housed in a gatefold sleeve with new artwork, black paper inners, and photography presented on a 12 double sided art card insert. Download code included. The Cinematic Orchestra have announced the first ever reissue of their bonafide classic album Every Day originally released 20 years ago. Spread

Available 14th April 2023.

Triple limited edition translucent red 140g vinyl featuring four bonus tracks from the time, some not released on vinyl before. Housed in a gatefold sleeve with new artwork, black paper inners, and photography presented on a 12” double-sided art card insert. Download code included.

The Cinematic Orchestra have announced the first ever reissue of their bonafide classic album “Every Day” originally released 20 years ago. Spread across 3 LP’s of translucent red vinyl replete with bonus tracks from the original recording sessions,‘Oregon’ and ‘Horizon (feat. Niara Scarlett)’ as well as two tracks previously unreleased on vinyl in ‘Semblance’ and the unearthed ‘Flite (Original Version)’. The release features new artwork from the original designer, Openmind, and gatefold sleeve complete with Gilles Peterson’s original liner notes. As well as a selection of previously unseen photographs presented on a 12” card insert, including the band at Rivoli Ballroom, London by Carl Fox and J.Swinscoe with Fontella Bass near Lake Geneva in Switzerland by Peter Williams.

Over the two decades since the album’s pioneering release It’s easy to see the band’s influence; jazz is all around us, with acclaimed artists from Kamasi Washington to Sons of Kemet and dozens more, London and LA have recently produced scenes more prolific than anyone expected. BADBADNOTGOOD have provided jazz soundtracks to high fashion shows, and Kendrick Lamar has put the genre at the top of the charts. The way the band moved beyond its initial jazz influences into a sort of transcendental orchestration combined with the contemporary elegant electronics now used by artists like Ólafur Arnalds and Floating Points, artists they have helped forge a path for, started to really reach fruition with the release of “Every Day”.

Across its seven flawless, soaring tracks, the group (led by founding member J.Swinscoe alongside longtime musical collaborator Dominic Smith) took you on a journey through classic soul, jazz, choral pieces, sinking horn riffs, throbbing harp b-lines, minimalism and more with a soul deeper than the ocean. And with guests of the calibre of Fontella Bass (the writer and performer of '60s soul masterpiece ‘Rescue Me’ and member of free jazz renegades the Art Ensemble of Chicago) and UK music legend Roots Manuva (whose soaring, philosophical contribution to "All Things To All Men" is a firm fan favourite), you know that you're in for something special. Pitchfork agreed, giving it a 8.6 review upon release.

Since debuting with “Motion”, in 1999, The Cinematic Orchestra have sold hundreds of thousands of albums, generated almost half a billion streams and enjoyed critical support from the likes of Pitchfork, The Guardian, New York Times, Le Monde, Resident Advisor, Fader, Crack, Rolling Stone, Gilles Peterson, Benji B, Jason Bentley and Mary Anne Hobbs. In 2007, The “Ma Fleur” album was recognised for its bold departure from the group’s sonic traditions; in the years since, it’s been continuously celebrated, with tracks like ‘To Build A Home’ reaching huge audiences. The band have performed to larger and larger audiences and sold out the likes of London's Royal Albert Hall, Philharmonie de Paris, Rome’s Auditorium Park Della and the Sydney Opera House. Coachella, Glastonbury, Fuji Rock, Montreux and Sonar have all played host to the band’s much loved live performances. They have also appeared at the Directors Guild Lifetime Achievement Awards for Stanley Kubrick and New York’s Summerstage with the legendary Mahavishnu Orchestra with John McLaughlin. Their original score for “The Crimson Wing”, included the track ‘Arrival of the Birds’ which featured in the Oscar Winning Stephen Hawking biopic "The Theory of Everything”. Their last album “To Believe,” charted in the Top 20 of the UK albums chart and #1 in the album vinyl chart.

This deluxe reissue proves once again, what was known all along, that in “Every Day”, that The Cinematic Orchestra truly created a timeless body of work.

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SKU: 44525491474

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4.6 ★★★★★
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Michael P. Lefand
Draper, US
★★★★★ 5
Superman, Superboy, Supergirl, Krypto, a little of everything.
"Superman in the Fifties" is a collection of 17 stories from 1950 to 1959 reprinted in color. For me it was a nostalgic return to when I was a child and able to purchase 10 comics for a dollar off a turning rack (no sales tax either) at the local soda shop. The comics from the fifties served as an escapism for much of the youth at the time that was coming of age with the awareness that we could be threatened by nuclear attack at any time. Bomb shelter construction could be found in Popular Science magazines, and drills were performed in schools with students going into halls and crouching down and covering their heads or hiding under desks. A hero was needed, one with super powers who could make the world right. We could all dream. Superman, "Faster than a speeding bullet, more powerful than a locomotive, able to leap tall buildings in a single bound...fighting a never ending battle for truth, justice, and the American way." Sorry, just had to put that TV intro in from the 50's. The stories may seem dated, but that is part of the mystique of reading comics that are reprinted. The titles in this volume are: - Three Supermen From Krypton! - The Menace From The Stars! - The Girl Who Didn't Believe In Superman! - Superboy's Last Day In Smallville! - The Ugly Superman! - Superman's Big Brother! - The Super-Dog From Krypton! - Titano, The Super-Ape! - The Supergirl From Krypton! - Superman's Super-Magic Show! - The Super-Duel In Space - The Battle With Bizarro! - The Bride Of Bizarro! - The End Of The Planet! - Superman And Robin!! - The Stolen Superman Signal - The Girl In Superman's Past My favorite was "The Super Duel in Space" with Brainiac reducing some of Earth's cities and putting them in bottles. It was a good change up from the usual fiction, and non-fiction that I read. It provides plenty of background about Superman for young readers with terrific art that was hand drawn, unlike most modern comics that are created on computers. The stories are a very good sampling of "Superman" from the fifties. I look forward to reading "Superman in the Sixties." I give "Superman in the Fifties" 5 stars.
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Reviewed in the United States on September 15, 2011
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David W. Nesbitt
Birmingham, US
★★★★★ 5
This is perfect - I just wish they would reprint all of the 1950's and 60's stories!
This is great - wish I had more Superman stories from the 1950's to read!! I was born in 1952 so this is something right up my alley. I am a big Superman fan and had most of the mid to late 1950'2 issues until my mom burned them when I went away to college. I understand why but still wish I had them - for many different reasons. The coloring is bright and spot-on. I even remember most of these stories - I know it's been more than 50 years ago but they were a big part of my early life. All of the stories are least good and couple are truly great. Some of the plots are little silly by todays standards but things have most definitely changed since they were written. IF you love Superman, grew-up in the 50's or just anything historical you will love this! I just wish they would reprint all the 50's and 60's stories. That is something I would most certainly buy!! My rating for this is a perfect 10 out of 10 - for me it's perfect - all I want is MORE of this!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 21, 2016
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M. Crowley
Chelsea, US
★★★★★ 5
Superman in the wacky '50s
Format: Paperback
Love the Jerry Ordway cover, although an image from the era would have been more fitting. This may be the Superman era most of remember best, the gimmick-laden Weisinger era that made the most contributions to Superman lore. For me the best story here is the first one, in which the other survivors of Krypton's demise -- Kryptonian (here called "Kryptonites") super criminals U-Ban, Mala and Kizo -- appear for the first time. Other firsts include the first Brainiac tale, Supergirl's first appearance, and "The Last Superman of Krypton." Krypton did not play a big role in 1940s Superman stories. Curiously, Brainiac looks as we've come to know him on the cover of that comic, but less so inside. This is a decent sampling of '50s Superman tales. Much here to enjoy!
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Reviewed in the United States on May 23, 2025
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Prilo
Waukegan, US
★★★★★ 4
A great read
Format: Kindle
Great stories from the fifties that I did not know existed until I opened this book. I hope there are more stories to come.
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Reviewed in the United States on December 8, 2023
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Doctor Moss
Dallas, US
★★★★★ 5
Just for Fun
You can't help, in reading these stories, remarking on how comics (and popular culture in general) reflect what we want on our minds and how we want to feel about ourselves. Superman today is intense. He fights apocalyptic battles, and he sometimes loses! There's a lot at stake -- everything, EVERYTHING, lies in the balance. Superman himself seems literaly beyond human. In order to live the life of challenges he faces, he must be beyond the concerns of everyday life -- he can't really share in the life that the rest of us live. Superman in the fifties lived in a much more comfortable, stable world, and his own life was much more continuous with ours. In these stories, he discovers that he is not alone -- his long last pal, Krypto, shows up, and he discovers his cousin, Supergirl. He has girlfriends -- Lana Lang and Lois Lane compete for his attention (without a lot of the psychological anxiety that Superman will face in the future over his inability to live a normal life and raise a normal family). The villains, like Lex Luthor, aren't even purely evil -- they have their limits. Bizarro is not evil at all, just . . . dumb and amusing so long as Superman can repair any damage he does. It's a little bit trivial to point out how comics reflect cultural reality, but . . . they do. It's fun to revisit the fifties here -- i suspect it's not so much an innocent age as one in which the story we told ourselves about ourselves (as in our Superman comics) was focused where we wanted it to be focused -- family, friends, the pleasures of everyday life. But, putting aside all the sociology and pretenses of cultural history, these stories are just fun to read. It's not the Superman we know now, it's just different, a change of pace, fun.
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Reviewed in the United States on September 28, 2013

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